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Netflix’s latest original series, The Unbreakable Kimmy Schmidt, began streaming this weekend, a new comedy produced by Tina Fey. Given Tina Fey’s normal comedy genius, this show is a huge disappointment. In the entire 13-episode first season, there were no laugh out loud moments that stick in the mind. The premise of the show is original, the main character – played by Ellie Kemper – is well-written, bright and strong, and some (but distinctly not all) of the supporting roles are entertaining. But, despite that, this remains a comedy that fails to bring the funny. Let’s take a closer look.
The premise of the show is a novel one that lends itself to a great story: four women are rescued from an underground bunker where they spent the last 15 years believing that they were the only survivors of the Apocalypse, saved by a doomsday preacher/cult leader. Kimmy Schmidt, the main and titular character, is one of those four women, dubbed the “Mole Women of Indiana.” She was the youngest of the group, kidnapped by the cult leader when she was only in the eighth grade. While the other three women choose to go back to their lives and homes in Indiana, Kimmy decides that she does not want to go back to Indiana, where she’ll only be seen as one of the Mole Women, but wants to make a new start for herself somewhere that she won’t be known. She moves to New York City, unaware of any of the major technological, linguistic, historical and cultural events of the last 15 years, and so must learn how to make her way in a world she doesn’t comprehend, with a childlike naïveté regarding everything about 2015 and without even a middle school education.
Kimmy is a great character, optimistic hard-working, with a great amount of inner (and outer) strength. She was able to resist the brainwashing of the cult leader, she refuses to leave New York even after a slew of bad luck ends with her losing her job and $13,000 dollars in the same day, and she even manages to rally those around her into bettering themselves, to varying degrees of success. Kimmy inspires her GED study group to band together to pass the class, holds together the Mole Women both in and out of the bomb shelter they had lived in, and helps her wealthy boss Jacqueline Voorhees (Jane Krakowski) cope with a divorce that leaves her with only a paltry twelve million dollars. Kimmy is a well-developed character, and the plots surrounding her are what make the show watchable. The storylines around the other characters, however, are of a far lower quality.
When Kimmy first arrives in New York, she answers an ad in a newspaper regarding a place to live. The landlord – played by Carol Kane – placed the ad so that she could find a roommate for her favorite tenant; she doesn’t want to evict him, but he won’t pay rent, so she insists that he get a paying roommate. The landlord is a kook who gets some personal development, but doesn’t receive much time in the overall plot. Her character mostly seems to be wrapped up in the single word “kook.” Her tenant is an unfortunate walking stereotype named Titus Andromedon. Many of the jokes in the show are either originated by him or revolve around him in some way, which explains why the funny is missing. He is a poorly written and poorly developed character whose absence could only improve the show. His only redeeming quality is his singing voice which, while beautiful, is implemented into episodes with terrible timing.
The parts of Kimmy’s life that aren’t flashbacks or spent at home or with members of her study group revolve around her job, nanny for Mrs. Voorhees’ two spoiled rich kids. Or rather, that’s supposed to be her job, but she becomes more of a caretaker for Jacqueline herself. Kimmy helps Jacqueline gather up the courage to begin divorcing her husband after Jacqueline discovers he’s been cheating on her. Jane Krakowski may be in danger of getting typecast for the “rich, narcissistic woman” role, since she plays almost the same character that she played on 30 Rock, though her backstory in this show is quite different. It is shown, via flashbacks, that blonde-haired, blue-eyed Jacqueline is actually Native American, but decided that she wanted to be a part of white culture, where she could marry rich and live the high life. The ridiculousness was probably meant to be funny, but the show again missed its mark.
The show had a number of big names as guest stars, including John Hamm, Nick Kroll and even Tina Fey herself. However, their characters were lackluster and uninspired. The show quickly gets to a point where any scene without Kimmy is to be dreaded, and even the scenes that she’s in she sometimes can’t save for the poor execution and writing of the other characters.
There is little that can redeem a comedy that has no laugh factor. The story premise is original, and the main character is a powerful positive force in the show’s favor, enough so that she makes the show nearly worth watching. But a dismal cast of supporting characters who tell boring and easily-forgotten jokes brings the show crashing down. The show had two seasons ordered by Netflix from the start, so there will be more episodes in the future. Hopefully they can make improvements in the next season.
The Unbreakable Kimmy Schmidt is a Netflix original series. It is produced by Tina Fey and stars Ellie Kemper, Tituss Burgess, Carol Kane and Jane Krakowski.